The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest, most global threat to date: a mole in the Men in Black organization.

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"As audiences could see for themselves in a special screening series organised by the Austrian Film Museum in November 2011, Benning’s more recent films move in several directions simultaneously. He picks up on older projects, reworks them, yet at times leaves these behind and makes an utterly fresh start – striking a strange equilibrium between continuity and a new slant on particular models of film aesthetics. 　　Benning has been viewed over the past decade as the USA’s landscape filmmaker par excellence, and at first it seems bewildering to find he has now turned his attention to phenomena of the digital world such as Web 2.0. In »YouTube Trilogy« (2011), Benning organised found material around three thematic clusters which apparently have little in common. The first section focuses on children of various religious affiliations singing: »Agnus Dei« in the crystal-clear voice of a boy from the Vienna Boys’ Choir, two girls singing a »Shalom« song, a teenager belting out into Leonard Cohen’s »Hallelujah« and a solo of an Arabic song by a young girl. These young people making music in a range of formats produce different types of intimacy. Whilst the Vienna Boys Choir piece is clearly taken from a television recording and exudes a sense of the official nature of the event, most of the other videos bear the hallmarks of youthful (YouTube-style) self-staging. These tensions function in a sense as a prelude to Benning’s attempt to give shape to a kind of concealed artistic autobiography by compiling and processing found video clips. He describes this part of the film as »my own sketchy tongue-in-cheek history«2 and thus establishes an arc of narrative tension underpinning what at first sight seem to be unconnected snippets – a man describes how a pistol works, President Eisenhower gives a speech, someone tries on a blue dress in a yellow window frame. Nonetheless the clips, filmed directly from the computer screen, function not so much in terms of what nonetheless remains an arbitrary combination but rather through the prism of the unique character of each scene. That makes the autonomy asserted by Benning even more questionable; while he claims authorial sovereignty over the digital found pieces, this ultimately gives rise to an idiosyncratic cryptograph. In the third section – with the deliberately attention-grabbing title »Asian Girls« – Benning picks up on the issue of the Internet’s typical categorisations, yet struggles to shift these categories away from the terrain of stereotype. "

Play by Howard Barker about a sculptor who works to finish off a memorial to the Royalist years, as Cromwell's men break down the surrounding cathedral walls. (from http://ftvdb.bfi.org.uk/sift/title/315346) 　　download: http://britbitsandclips.com/AR_TV.htm 　　script: http://britbitsandclips.com/PityinHistory.htm

Ksenia has ambition, lots of it. She wants to make it big in hospitality. Chasing her goal she comes to Moscow where she meets a new eccentric hotel owner of The Grand hotel. Not someone to let the truth stand in the way of an opportunity, Ksenia presents herself as a professional, ready for a management position. Her lies are caught out and she’s packed off to the rather unglamorous laundry to begin her career in hospitality. Will Ksenia be able to tame her adventurous nature and to fit into the tight-knit hotel team at The Grand? Or will she blow it?

In the piano-making town of Grand, Pennsylvania, Janice Pasetti keeps house for factory owner Harris Weldon, his newlywed niece and her husband, while raising her teenage daughter.

In 1971 Salford fish-and-chip shop owner George Khan expects his family to follow his strict Pakistani Muslim ways. But his children, with an English mother and having been born and brought up in Britain, increasingly see themselves as British and start to reject their father's rules on dress, food, religion, and living in general.

NJPW Wrestle Grand Slam in Tokyo Dome was a professional wrestling event promoted by New Japan Pro-Wrestling (NJPW) that took place on July 25, 2021, at the Tokyo Dome in Tokyo, Japan, headlined by Shingo Takagi (c) vs. Hiroshi Tanahashi for the IWGP World Heavyweight Championship.

Ken Katakura (Naoto Takenaka) has worked as a salaryman for the past 25 years. He's on his way to Malaysia to stop his daughter's wedding. Unfortunately for Ken, the plane makes an emergency landing in a remote part of Malaysia, far from the capital city of Kuala Lumpur where he needs to go. With only 2 days left until his daughter marries, Ken looks for a way to get to Kuala Lumpur. Ken then comes across an odd Chinese truck driver named "Mary" and, with his help, sets out for Kuala Lumpur.

Hui Man Keung is washed up on a beach near Shanghai. He is taken in by Ding Lik, a kindly beggar who is in love with Fung Ching Ching, the daughter of a prominent gangster. It isn't long before Ding Lik rises through the underworld ranks to become one of the city's most powerful gangsters.